Music Bahamas’ latest album is all about Afie Jurvanen For the most part, Bahamas is Afie is the sound of guitar virtuoso Afie Jurvanen flying completely solo and playing all the parts himself. Pop Music Critic Sun. Well, as much Afie as Afie himself could handle. Musical man-about-town Don Kerr helped out with the recording and did a little drumming here and there, while a few friends — including sometime Weakerthan Jason Tait and background vocalist Felicity Williams, both of whom play in the four-piece Bahamas touring ensemble — helped out with the occasional session. For the most part, though, Bahamas is Afie is the sound of guitar virtuoso Jurvanen flying completely solo and playing all the parts himself. I had a bass world, a guitar world, a piano world. I could just run around in circles and if I had an idea I could just sort of act on it immediately. Mostly, however, this time out Bahamas sounds pretty much like Bahamas and Bahamas alone.
Sold out There’s a rhythm to a musician’s career beyond the actual music – an ebb and flow that will give those who recognize it peace of mind and those who don’t some grief. Thankfully for yearold singer-songwriter Afie Jurvanen a. Bahamas , that’s a lesson he learned from long-time friend and mentor Jason Collett.
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Her parents are both artists. After their first child, Ben, was born, the family moved to Sackville. She aspired to be a writer, and spent much of her youth singing in choirs. At this concert she met Brendan Canning , whose band hHead performed immediately before hers, and with whom she joined in Broken Social Scene ten years later. She moved from Calgary to Toronto in She played the bass guitar in Noah’s Arkweld for a year despite never having played bass before. In , she became the rhythm guitarist for the band By Divine Right and toured with them throughout , , and She also played guitar for some live performances by Bodega , but was never an official member of the band.
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Afie jurvanen feist dating. Published: Edit Profile View as Public Logout. Collett was putting together ‘s Idols of Exile and typically toured with a rag-tag team of backing musicians, depending on who was available at the time. Calgary, Alberta, Canada.
Comments One of the biggest international pop hits of was written and recorded by a guy named Michael Rosenberg, a name with which you’re probably not familiar. Rosenberg, you see, conducts his business under the pseudonym Passenger, and his emotive single Let Her Go spent 43 weeks on the Billboard chart and tallied some four million downloads in the United States, according to Nielsen SoundScan. And yet, the name which Rosenberg parent’s proudly gave their son is not in lights, nor is it on the tips of anybody’s tongues.
So why would a recording artist hide behind an alias? Some go the a. There is a history of names — they are a-changin’. Story continues below advertisement Rosenberg has said that he likes the idea of setting himself apart. He distinguished himself as a sideman in the band of Leslie Feist — “Feist” professionally — but when it came to making a stage name for himself as a solo artist in , he went with “Bahamas.
His first two albums ‘s Pink Strat and ‘s Barchords were critical successes, and Jurvanen is signed to Brushfire Records, the American boutique label run by Jack Johnson, the surfboard troubadour who publicly championed his Canadian signee. For Jurvanen, the name Bahamas simplified things. What nationality is that?
The Weather Station
Bahamas aka Afie Jurvanen Toronto-based singer-songwriter-guitarist Afie Jurvanen aka Bahamas has songs that will move you and a voice that is soothing to the ears. He has also had two Juno nominations, a Polaris Prize nomination and a nomination for Songwriter of the Year. Congrats on your current iTunes exclusive release.
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Since , Afie Jurvanen has been popping up on albums by his fellow Canadians. Like most sidemen, he has dreams of graduating to frontman. Unlike most sidemen, however, he actually has the singing and songwriting chops—not to mention the personality and presence—to make that happen. His follow-up, Barchords, makes good on that promise and then some.
The production is roomy and warm, the lyrics gracefully devastating, and the singing so wounded that even on his upbeat songs he maintains such a peculiar gravity. Jurvanen writes eloquently about distance and disconnection, which makes the album not quite depressive, but definitely not escapist. The burr in his throat and the nods to early rock-and-roll and rhythm-and-blues will doubtless earn him comparisons to M. Ward, but Jurvanen has digested those influences thoroughly. As a guitarist—and especially as a guitarist who titles his album Barchords—Jurvanen proves such a confident player that he rarely has to showboat.
Jurvanen obviously knows his stuff, but he avoids outright imitation:
Her parents are both artists. Her mother, Lyn Feist, was a student of ceramics from Saskatchewan. After their first child, Ben, was born, the family moved to Sackville. Her parents divorced soon after she was born and Feist, Ben, and their mother moved to Regina, Saskatchewan where they lived with her grandparents.
There’s a great chance that you had heard who Afie Jurvanen was long before you knew of Bahamas. The Canadian songwriter spent his earliest musical days as a sideman for Feist, Zeus and Jason.
With a carefully trained ear for melody that he’s honed during his time playing with the likes of Feist and Howie Beck, Jurvanen’s solo project has a stripped-down and contemplative sound that focuses on doing more with less, allowing his voice and guitar to do most of the heavy lifting on his quiet indie folk meditations. Bahamas made its album debut in with Pink Strat, which was nominated for a Juno Award the following year. After releasing the album, Jurvanen set out on tour in support of alt-country icons Wilco before eventually striking out on his own with a headlining tour.
The guitarist returned in with his follow-up album, Barchords. In , Jurvanen delivered the third Bahamas studio album, Bahamas Is Afie, which featured a ’70s soft country-influenced vibe. After more intercontinental touring, he re-emerged in early with the all-star rhythm section of bassist Pino Palladino and drummer James Gadson on Earthtones. Having written the songs with the Black Messiah collaborators in mind, it emphasized a funkier, smooth soul sound.
Free Music Archive: Bahamas
Encountering them for the first time, I felt uplifted with their lengthy instrumental preludes and ornate harp solos you heard me, a Harp! The band worked together like a well-oiled machine, not overpowering one another and adding in subtle vocal harmonies amid the lines of string, bass and percussion instruments. There were moments where I had to actively remind myself to breathe because I felt as if I was witnessing something so delicate, and sitting 2nd row, I felt that any sudden movement might wake me up from a dream.
There were selections that they performed that made me want to dance in my chair and certainly there were a particular few that persuaded everyone to take a beat, a deep inhale and exhale, and lean in towards loved ones and absorb the timeless folksong.
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Sterling Larose Published Mar 02, 7 Toronto’s Afie Jurvanen and his band returned to Vancouver Thursday evening, bringing the sounds of recent release, Earthtones, to the West coast. Warm lights that constantly dimmed and shone in time with the music ringed the stage, where the band members were suitably dressed in neutral shades — vocalist Felicity Williams, dressed all in white, was given a “casual Friday on a Thursday,” in Jurvanen’s words, given that it was her birthday the crowd sang a disjointed “Happy Birthday” in her honour.
Bahamas charmed the sold-out audience with the classic groove and noodling guitar lines of Jurvanen and Christine Bougie, who harmonized with ease and impressive prowess. Cuts from Earthtones, such as “Opening Act,” felt both meta and humorous, with Jurvanen quipping about his experience in the music industry amidst a steady beat — before “[pulling] out [his] Fender and letting loose. Combined with the band’s knack for both vocal and guitar harmonies, the crowd responded in turn — many hoots and whistles were heard throughout the night, even during the seated numbers.
Jurvanen has a self-deprecating sense of humour and a charm about him, especially when he took a queue from Freddie Mercury to end the night singing “Any Place,” using a handheld half mic stand.
However, in he released the folk album Pink Strat under the name Bahamas and has been a major critical success ever since. Like Louis Armstrong, Jimmy Page and Owen Pallett before him, Jurvanon cut his teeth as a sideman before setting out on his own at the comparatively late age of His work included collaborations and concerts with the likes of Jack Johnson and the Weather Station before finding his feet with his most frequent collaborator Feist.
However, come he ensconced himself in a cabin in rural Ontario with a bunch of his friends and set about recording his own material. For those not in the know, the former is essentially the Canadian Grammys and the latter is the Canadian Mercury Prize. With his third album released in , and concerts starting to sell out the world over, the only way is up for this most unique talent.
Bahamas is the solo project of Toronto-based guitarist and musical gun-for-hire Afie Jurvanen.
Feist launched her solo music career in with the release of Monarch. Her subsequent studio albums, Let It Die , released in , and The Reminder , released in , were critically acclaimed and commercially successful, selling over 2. In , Feist collaborated on a split EP with metal group Mastodon , releasing an interactive music video in the process. Her parents are both artists. Her mother, Lyn Feist, was a student of ceramics from Saskatchewan. After their first child, Ben, was born, the family moved to Sackville.
Feist’s parents divorced soon after she was born and Ben, Feist and their mother moved to Regina, Saskatchewan , where they lived with her grandparents. She aspired to be a writer, and spent much of her youth singing in choirs. At this concert she met Brendan Canning , whose band hHead performed immediately before hers, and with whom she joined in Broken Social Scene ten years later.
She moved from Calgary to Toronto in She played the bass guitar in Noah’s Arkweld for a year despite never having played bass before. In , she became the rhythm guitarist for the band By Divine Right and toured with them throughout , , and She also played guitar for some live performances by Bodega , but was never an official member of the band. Feist appears in Peaches’ video for the song ” Lovertits “, suggestively rubbing and licking a bike.